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‘Chair (Parisians III)’ is a strangely beguiling image
Privileging process over product
From the 1958 painting
'Lovers' circa
made more dramatic by the use of a monochrome linocut technique
David Rankin 'Open Over Stones' impressionism ‘Chair (Parisians III)’ is aDavid Rankins landscapes are underpinned by three themes: Western and Asian cultures, and the Aboriginal concept of place. There are nods to all over painting that is, imagery with no prime form or subject as well as JMW Turners almost indiscernible vistas. Perhaps most striking however, is Rankins practice itself. Privileging process over product, his work follows the curvatures of life, allowing the landscape to reveal itself to him. Cast in pale
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